Swedish singer Loreen has won the Eurovision Song Contest with her power ballad Tattoo, at a colourful, eclectic music competition clouded for a second straight year by the war in Ukraine.
The diva from Stockholm beat acts from 25 other countries to take the continent’s pop crown at the competition in Liverpool. Finnish singer Kaarija was second in a close-fought battle of the Nordic neighbors.
Australia finished as creditable ninth with rockers Voyager’s performance of Promise.
Loreen previously won Eurovision in 2012 and is only the second performer to take the prize twice, after Ireland’s Johnny Logan in the 1980s.
Britain hosted Eurovision this year on behalf of Ukraine, which won last year but couldn’t take up its right to hold the contest because of the war. Air raid sirens sounded across Ukraine as the contest was underway.
Under the slogan “united by music”, Eurovision final fused the soul of English port city that birthed The Beatles with the spirit of war-battered Ukraine.
The sights and sounds of Ukraine ran through the show, starting with an opening film that showed 2022 Eurovision winners Kalush Orchestra singing and dancing in the Kyiv subway, with the tune picked up by musicians in the UK – including Kate, Princess of Wales, shown playing the piano.
The folk-rap band itself then emerged onstage in the Liverpool Arena on a giant pair of outstretched hands, accompanied by massed drummers.
Contestants from the 26 finalist nations entered the arena in an Olympics-style flag parade, accompanied by live performances from Ukrainian acts including Go A, Jamala, Tina Karol and Verka Serduchka – all past Eurovision competitors.
Now in its 67th year, Eurovision bills itself as the world’s biggest music contest – an Olympiad of party-friendly pop.
Competitors each have three minutes to meld catchy tunes and eye-popping spectacle into performances capable of winning the hearts of millions of viewers.
Rock was unusually well represented this year at a contest that tends to favour perky pop.
Australia’s Voyager evoked head-banging 80s stadium rock on Promise, while Slovenia’s Joker Out, Germany’s Lord of the Lost were also guitar-crunching entries.
An offbeat contender was anti-war rock opera Mama SC! by Croatia’s Let 3, who mock militarist dictators amid Monty Pythonesque imagery before stripping down to their underpants onstage.
While votes were cast and counted, Sam Ryder, last year’s runner-up for Britain, performed his new single Mountain, accompanied by Queen drummer Roger Taylor.
A Liverpool Songbook segment featured past Eurovision stars performing songs from the city, including John Lennon’s Imagine, You Spin Me Round (Like a Record) by Dead or Alive and the unofficial civic anthem You’ll Never Walk Alone – with the audience joining in, as a tribute to both Liverpool and Ukraine.
About 6000 fans watched the show inside the arena, and tens of thousands more at a Liverpool fan zone and at big-screen events across the UK. The global television audience has been estimated at 160 million.
Under spring sunshine, fans flocked in their thousands to city’s dockside area near the contest venue ahead of the contest. Many were draped in flags or dressed as their favourite acts.
“Just to come down and see people from all different nationalities, all different cultures – it’s good fun,” said Australia fan Martin Troedel, sporting a kangaroo on his hat.
“Frankly there’s some quite odd acts, which is what I love about it. You never know what to expect.”
Founded in 1956, Eurovision is a European cultural institution that has produced breakout stars – ABBA and Celine Dion are past winners – alongside performers whose careers sank without a trace.
AP 2023