Atlantic Theater Company has announced a final extension for the world premiere musical Days of Wine and Roses. Adapted from the 1962 film and original 1958 teleplay, the new musical features a book by Tony Award nominee Craig Lucas, music & lyrics by Tony Award winner Adam Guettel, and direction by Tony Award nominee Michael Greif. Days of Wine and Roses, which is now in performances ahead of a June 5th opening, will now play an additional week through Sunday, July 16th Off-Broadway at the Linda Gross Theater (336 West 20th Street).
Adam Guettel has released six demos from the musical.
LISTEN HERE!
Days of Wine and Roses stars Kelli O’Hara (The King and I) and Brian d’Arcy James (Into the Woods), with Steven Booth (Tina: the Tina Turner Musical), Sharon Catherine Brown (Caroline, or Change), Bill English (Anything Goes), Nicole Ferguson (Merrily We Roll Along), Olivia Hernandez (Plaza Suite), Byron Jennings (Harry Potter and the Cursed Child), David Jennings (Tina: the Tina Turner Musical), Ted Koch (To Kill A Mockingbird), Ella Dane Morgan (Waitress), Scarlett Unger (Off-Broadway debut), and Kelcey Watson (The Oresteia).
On June 23, 24, and 25 Kelli O’Hara will not be appearing in Days of Wine and Roses. The role of Kirsten Arnesen will be played by Elena Shaddow (The Visit) at these four performances.
Kelli O’Hara and Brian d’Arcy James star in a searing new musical about a couple falling in love in 1950’s New York and struggling against themselves to rebuild a family.
Adapted from JP Miller’s 1962 film and original 1958 teleplay, composer & lyricist Adam Guettel (Floyd Collins) and playwright Craig Lucas (An American in Paris) reunite in their first collaboration since their acclaimed The Light in the Piazza. A world premiere musical directed by Michael Greif (Dear Evan Hansen).
Days of Wine and Roses features choreography by Sergio Trujillo & Karla Puno Garcia, scenic design by Lizzie Clachan, costume design by Dede Ayite, lighting design by Ben Stanton, sound design by Kai Harada, music direction by Kimberly Grigsby, music contractor Antoine Silverman, orchestrations by Adam Guettel, additional orchestrations by Jamie Lawrence, hair and wigs by David Brian Brown, and casting by The Telsey Office; Craig Burns, CSA. Judith Schoenfeld serves as the production stage manager.
In association with Alchemation and Mark Cortale.
KELLI O’HARA (Kirsten Arnesen), star of stage and screen, has established herself as one of Broadway’s greatest leading ladies. Her portrayal of Anna Leonowens in The King and I garnered her the 2015 Tony Award for Best Leading Actress in a Musical, along with Grammy, Drama League, Outer Critics, and Olivier Nominations. She reprised the role while making her West End debut and performed a limited engagement at Tokyo’s Orb Theatre. Kelli received an Emmy Award nomination for her portrayal of Katie Bonner in Topic’s hit web series, “The Accidental Wolf,” and can currently be seen as Aurora Fane on HBO’s critically acclaimed series, “The Gilded Age.” Other film and television credits include: “13 Reasons Why,” All the Bright Places, “Peter Pan Live!,” Sex & The City 2, Martin Scorsese’s The Key to Reserva, Showtime’s “Master of Sex,” “The Good Fight,” “Blue Bloods,” “N3mbers,” and the animated series “Car Talk.” Other Broadway credits include Kiss Me Kate (Tony, Drama League, OCC nominations), The Bridges of Madison County (Tony, Drama Desk, Drama League, OCC nominations), Nice Work if You Can Get It (Tony, Drama Desk, Drama League, OCC nominations), South Pacific (Tony, Drama Desk, OCC nominations), The Pajama Game (Tony, Drama Desk, OCC nominations), The Light in the Piazza (Tony, Drama Desk nominations), Sweet Smell of Success, Follies, Dracula and Jekyll & Hyde. The Times has hailed her as “Broadway musical’s undisputed queen”. She was awarded the prestigious Drama League’s Distinguished Achievement in Musical Theatre Award in 2019. In 2015, she made her Metropolitan Opera debut in Lehar’s The Merry Widow opposite Renee Fleming and in 2018 returned as Despina in Mozart’s Cosi Fan Tutte. She was last seen at The Metropolitan Opera in the world premiere of Kevin Puts’ The Hours as Laura Brown. Her concerts have gained international acclaim, spanning from Carnegie Hall to Tokyo. She is a frequent performer on PBS’s live telecasts, The Kennedy Center Honors, and performs often alongside The New York Philharmonic and The New York Pops. Along with her two Grammy nominations, her solo albums, Always and Wonder in the World, are available on Ghostlight Records. Season 3 of “The Accidental Wolf” is now streaming on Topic. Upcoming, season 2 of “The Gilded Age” on HBO.
BRIAN D’ARCY JAMES (Joe) is a three-time Tony nominated actor (Into the Woods, Something Rotten!, Shrek the Musical, and Sweet Smell of Success) who just completed star studded run of the Broadway revival of Into The Woods as The Baker. He is nominated for a 2023 Independent Spirit Award in the category of Best Supporting Performance for his work in the critically acclaimed independent film The Cathedral currently available on MUBI. He stars opposite Anne Hathaway, Peter Dinklage, and Marisa Tomei in the upcoming Rebecca Miller film She Came to Me, that will open the 2023 Berlin Film Festival in February. Other upcoming film and television projects include Pain Hustlers, opposite Emily Blunt and Chris Evans; Devil’s Peak, with Billy Bob Thornton, Robin Wright, and Jackie Earle Haley; the HBO Max’s miniseries “Love and Death” with Elizabeth Olsen produced by Nicole Kidman and David E. Kelley; and as Bruce Adler (Edward’s father) on Apple TV+’s “Dear Edward,” premiering on Feb 3. In 2015, he originated the role of King George III in Lin-Manuel Miranda’s Hamilton Off-Broadway and reprised the role on Broadway in the summer of 2017. Other Broadway and Off-Broadway credits include: The Ferryman directed by Sam Mendes; Time Stands Still with Laura Linney, Christina Ricci and Eric Bogosian; the Lincoln Center production of Macbeth opposite Ethan Hawke and directed by Jack O’Brien; the Pulitzer Prize–winning musical Next to Normal; Conor McPherson’s The Good Thief (OBIE Award winner); The Wild Party; Port Authority (Lucille Lortel Winner); The Lieutenant of Inishmore; The Apple Tree; Dirty Rotten Scoundrels; Titanic; Carousel; Blood Brothers and others. Brian starred in the Best Picture Oscar-winning film Spotlight (2016), the Oscar nominated West Side Story (2021), among many others.
Elena Shaddow (Kirsten Arnesen at June 23, 24, 25 performances) is grateful and honored to be able to share this version of Kirsten Arnesen with you all. Broadway shows and tours include: Les Misérables, Sweet Smell of Success, Nine, Fiddler…, Woman in White, La Cage Aux Folles, Bridges of Madison County, The Visit, The King and I (tour), and The Light in the Piazza (tour). Various film and television credits include “NCIS: New Orleans,” “Conviction,” “Person of Interest,” The Intern, “Time After Time,” and she portrayed Sister Sophia in NBC’s “The Sound of Music Live.” She is a professor at the Steinhardt School at NYU, co-founder of a performing arts program called Theatre Arts Project in Ho-Ho-Kus, NJ, married to Michael Harrington and mom to Adelina and Liam. Special thanks to Adam, Craig, Michael, Kim, Brian and Kelli for their belief and trust in me. And as always, thank you Dianna, Ben and Jeff. This performance is dedicated to my grandmother Philomena Shaddow. @elenashaddowofficial
Craig Lucas (Book) wrote the plays Blue Window, Change Agent, The Dying Gaul, God’s Heart, I Was Most Alive with You, The Lying Lesson, Missing Persons, Reckless, Prayer for My Enemy, Ode to Joy, Prelude to a Kiss, The Singing Forest, Small Tragedy, Stranger; books for the musicals Amélie, An American in Paris, Days of Wine and Roses, The Light in the Piazza, Marry Me A Little, Three Postcards; screenplays for Blue Window, Longtime Companion, Prelude to a Kiss, Reckless, The Dying Gaul, Secret Lives of Dentists; the opera libretti for Orpheus in Love, Two Boys; and the ballet libretto for Christopher Wheeldon’s Cinderella. He directed world premieres of The Light in the Piazza, I Was Most Alive With You, Ode to Joy, Change Agent & This Thing of Darkness (co-author David Schulner) and Harry Kondoleon’s plays Saved or Destroyed & Play Yourself & the movies The Dying Gaul & Birds of America. He received the Excellence in Literature Award from the American Academy of Arts & Letters, Drama Desk, Obie, L.A. Drama Critics, Laura Pels/PEN Mid-career, LAMBDA Literary, Hull-Warriner, Sundance Audience, Flora Roberts, Madge Evans-Sidney Kingsley & the Steinberg/ACTA Best Play & the Hermitage Greenfield Prize among other honors.
Adam Guettel (Music, Lyrics and Orchestrations) is a composer/lyricist and teacher living in New York City. He was nominated for the 2019 Tony Award for Best Original Score for To Kill a Mockingbird. Other theater credits include The Light in the Piazza (2005; Tony Awards for Best Original Score and Best Orchestrations; Drama Desk Awards for Outstanding Music and Outstanding Orchestrations; Grammy Award nomination for Best Musical Theater Album; cast album on Nonesuch Records), Floyd Collins (1996 at Playwrights Horizons; Lucille Lortel Award for Best Musical, Obie Award for Best Music; cast album on Nonesuch Records), and Saturn Returns (1998 at The Public Theater; recorded by Nonesuch Records as Myths and Hymns). Other awards include the Stephen Sondheim Award (1990), the ASCAP New Horizons Award (1997), and the American Composers Orchestra Award (2005). He received an honorary doctorate from Lehman College in 2007 and was made an honorary member of the Royal Academy of Music in 2019.
Michael Greif (Director). Notable productions on and off Broadway include: The Low Road, f-ing A, Dogeaters, Giant, The Intelligent Homosexual’s Guide, Romeo and Juliet, Machinal at The Public and Delacorte; Our Lady of Kibeho, A Few Stout Individuals, Landscape of the Body, Angels in America at NY’s Signature Theater; Dear Evan Hansen, Next to Normal (also Arena Stage and Broadway), A Parallelogram, Make Believe at Second Stage; Grey Gardens (also Broadway), Far From Heaven, Spatter Pattern at Playwrights Horizons; Street Scene, Therese Raquin, The Cherry Orchard at Williamstown Theater Festival; and Rent at the New York Theater Workshop and Broadway. Most recently, he, along with Schele Williams, co-directed the critically acclaimed musical adaption of The Notebook at Chicago Shakespeare Theater.
ATLANTIC THEATER COMPANY (Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director). At Atlantic, our aim is singular—to empower simple and honest storytelling that fosters greater understanding of our shared world. We are a family of artists dedicated to exploring essential truths onstage, be it a show at Atlantic Theater Company or a class at Atlantic Acting School. As a producer, presenter, and educator of theater, we are driven by the belief that theater can challenge and transform our ways of thinking and urge us to reflect on our role in society. From our Tony Award and Pulitzer Prize-winning productions to our community-based education programs, we are committed to uncovering and celebrating the stories of our varied human existence. Founded as an ensemble of impassioned artists in 1985, Atlantic Theater Company has grown into a powerhouse Off-Broadway company. We challenge, inspire, and awaken audiences with truthful storytelling presented across our two venues, the Linda Gross Theater and the intimate Stage 2 black-box. As a producer of compelling new works, we are committed to championing the stories from new and established artists alike, amplifying the voices of emerging playwrights through our deeply collaborative programs and initiatives. We have produced more than 200 plays and musicals including Tony Award-winning productions of The Band’s Visit (David Yazbek, Itamar Moses), Spring Awakening (Steven Sater, Duncan Sheik), and The Beauty Queen of Leenane (Martin McDonagh); Pulitzer Prize recipient Between Riverside and Crazy (Stephen Adly Guirgis); New York Drama Critics’ Circle winners for Best New Play The Night Alive (Conor McPherson) and Best Foreign Play Hangmen (Martin McDonagh); Obie Award winners for Best New American Play Guards at the Taj and Describe the Night (Rajiv Joseph); Obie Award Special Citation recipient Skeleton Crew (Dominique Morisseau); Outer Critics Circle John Gassner Award and Lucille Lortel Award winner English (Sanaz Toossi); and New York Drama Critics’ Circle, Drama Desk Award, and Lucille Lortel Award winner for Best New Musical Kimberly Akimbo (David Lindsay-Abaire, Jeanine Tesori).